Showing posts with label Toolshed Gallery. Show all posts
Showing posts with label Toolshed Gallery. Show all posts

Wednesday, August 07, 2013

Pastimes and past times

I expected a quiet start to August as much of Frome evacuates to voice camps, music festivals, or continental projects, but the town's creative scene hasn't taken a break. In fact, I even discovered a fascinating ongoing project I wasn't aware of when Carolyn Griffiths who runs the Creative Network showed me round the Frome Textile Workshop, at the Thomas Bunn Centre just off Zion footpath. Dr Bunn was an 18th Century artist-physician with a passion to promote our town to the cultural status of Bath, apparently, so it's apt this is one of only three fully-equipped weaving workshops in the country, with four rooms filled with floor looms, table looms, yarns, samples and other colourful paraphernalia, keeping alive a traditional skill that's died out in most other country towns.

Music and visual arts don't hibernate either, with Jazz Jam at the Cornerhouse and Geniology at the Olive Tree, and a new exhibition at Frome's tiniest gallery: The Toolshed was recently listed in the Artist-Led Hot 100 of venues offering "some of the most superb activity being facilitated by emerging independent artists and curators right now in the UK" which is nice for Tristan Stevans and Tom Bayliss, whose exhibition Floor Games of the Recumbent Strategist is currently showing. "I populate realms in my head but only get as far as setting the scene, I never apply the narrative," Tom said at the opening about his toylike pieces made meticulously from layers of recycled plywood ~"all components of a wider world with a history before me" ~ standing in artificial grass like the model farm I had as a child. Tom wouldn't mind that analogy: he believes "a board game can be a way of codifying reality," and sees himself as a creator of pieces for 'serious play'.

Wednesday saw serious play in Victoria Park, as WPA-play brought games and activities to help the families of Frome to celebrate National Play Day. I googled the logo and discovered "WPA is a small, dynamic, voluntary sector organisation committed to the promotion and provision of outdoor play to inspire, challenge and empower children, young people and communities to affect positive change." The pedant in me wishes they would effect change, not just affect it, but it all looked terrific fun.

Another incoming group with a mission to entertain is Wonderlust Theatre, a 'new theatre company with a nomadic sense of home'. Their first project is LIVE FROM FROME, 0% FUNDING, 100% ART, a performance based on remembered performances contributed by Fromies. Interviews and the devised show this weekend are all at The Works Canteen, and after chatting with actress Kirsty Mary Wood I'm especially sorry I won't be able to see the outcome because I won't be here...
... I'm packing for the Writers' Lab on Skyros, in the island's name-sake town: a cluster of white-washed buildings climbing up the huge landmark rock on the eastern coast, ancient cobbled streets soaked in myth and vibrant with modern Greek culture too. It's a fallacy of course that the future will resemble the past, but I'm hopeful of once again watching sunrise from Rupert Brooke square, writing and sharing words under the fig trees of the centre garden, herb-scented walks down the cliff-path to the beach in the afternoon, and supper in tavernas open to the music and talk of the townsfolk in the warm night air. 

Thursday, May 30, 2013

Shortly after the start of Napoleon - A Defence, the new production by Devon-based clown group Le Navet Bete at The Brewery, the man in the seat next to me murmured to his companion "I don't think we can rely on this for historical accuracy." The cast were at the time enacting a motley group of french supporters learning to march in a manic cancan, while Wellington despatched his 'master of disguise' Major Blunt to capture the Emperor disguised as a standard lamp. History's loss was audience gain:  fast-paced slapstick, impressive circus skills, hilarious costumes and cross-dressing, fireworks and french fancies. All fabulous fun ~ definitely a company I'll be watching again when they bring their next show to Bristol.


The Bristol Old Vic website has a charming trailer for Complicite's Lionboy which gives the impression of exquisite visuals to support a hero's journey of the imagination like Pi's travels with his tiger.  It's actually more bland than that and less fantastical: an adventure yarn with a good oldfashioned Wizard of Oz ending ~ home is where the heart is. Based on a trilology for children by Zizou Corder, the story of Charlie Ashanti's quest to find his kidnapped parents and save the world from the evil Corporacy is largely narrated direct to audience by the cast of six (four men and two women, and a male drummer. I mention this because there's quite a blokey feel overall despite the female writer and director.) Sometimes there's a spoofy James-Bond-meets-Dr.Doolittle charm ~ with a touch of Harry Hill in the fight!-fight! showdown between Charlie and the Corporacy ~ but apart from a genetically modified cat called Sergei there's little humour and the script tends to repetitive explanational simplicity. Best bit is a dazzling sequence in the first half when Lisa Kerr as a pirouette creates the glamour and glitz of the circus, and atmospheric shadows often enhance the action but I'd have liked a little more tension and verve... it's a family show of course and I had none of that target audience with me, but I did wonder if they might have agreed with the little boy in the audience who, when comments were encouraged from the stage, suggested 'boring.'

In Frome, Toolshed's intimate little gallery is featuring Our Turn, Georgie Manly's collection of little fluffy balls on a catlit base, while  the new exhibition at Black Swan Arts is Mark Karasick's intriguingly entitled show  if you could see what i see through your eyes. Words at the Black Swan poetry group will gather under the guidance of Rose Flint on Sunday at 3.30 for a one-and-a-half hour workshop ~ this session costs just £4 and is open to new members or interested droppers-in so do come if you're in Frome for the Cheap Street Fun Day.


Final footnote: my short story/poetry anthology are we nearly there yet? is now on kindle.