Illyria company on Sunday as their touring version of Peter Pan arrived on the ECOS amphitheatre in the afternoon to delight a mixed age audience. The company boasts that this is the first production to include real flying, and while strictly speaking an offstage rig isn't actually quite the same thing as 'real', this complex apparatus contrived several brilliant stage effects - especially Peter's flamboyant fight scene, and the under-water life of the mermaid (with bubbles...)
simpsonharrisonbenjamin, at the opening of Hauser & Wirth's exhibition on Friday evening. Sharing Form - an impressive collection of works by Henry Moore that could not have opened on a more lovely evening, with blue-sky-sunshine to enhance all the amazing artefacts in the fabulous gardens, while indoors the rooms were full of thought-provoking 'investigative' pieces. You really need to visit if you can: it's superbly curated and this comment from the exhibition guide effectively says it all: "a rich and often surprising visual biography of Moore's relentless interrogation of form and our shared comprehension of it."
Back in south-west England, Novel Nights meeting at Burdell's Yard in Bath on Wednesday provided a fascinating evening as the theme was 'climate change' and the session featured not only Maggie Gee talking about her new novel on that theme, but also readings from three upcoming novelists - two of whom were Frome writers Nicky Lloyd and Alison Clink - pictured - plus Bath writer Richard Kemp.
and this week's final note is a booky one too: the poetry collection with the impossible name (What'sItLikeFor You+DanceForThoseWho'dRatherNot) (with pictures by Mel Day) will be launching itself on the world, ready or not, on June 6th at Three Swans, upstairs. Grab a drink & come on up.