Tuesday, August 01, 2017

Dramatic confusion in Ephesus & America, music & art in Frome

I've long wanted to see a performance by the famous Lord Chamberlain's Men, so their touring production The Comedy of Errors in the Bishop's Palace Garden in Wells was irresistible. The company concept is based on Shakespeare's players of that name: all-male, in Elizabethan costume, performing outdoors with music & song ~ a refreshing alternative to the Emma Rice way of zazzing-up the bard with Bollywood and balloons.
As comedies go this is a brutal one, crammed with cruelty and only one gag: massively repeated mistaken identity ~ although the lack of similarity between any of these 'twins' is a good joke too. The palace garden venue at dusk is ideal, providing additional backing to Alan Bowles' minimalist set, the rain mostly stayed off, and the seven young actors are excellent - watch out in future for rubber-faced Barney Healey-Smith in comedy roles. Direction by Peter Stickney.

From ancient Ephesus to 1950s America for another comedy of mistaken identity: North by Northwest at Theatre Royal Bath is the UK premiere of a show originally conceived by Melbourne Theatre Company. If you're ever wondering how to translate a 'chase' movie involving trains, cars & planes to stage, and get the audience cheering, you need to see this. A big part of the success of the production is the shape-shifting set and the clever effects, taking us all into their visual jokes from the start, and the sharp direction of an ensemble cast in constant quick-change personae, creating ever-changing scenes of office, street, railway, and even Mount Rushmore in an indescribably nail-biting and hilarious climax.
From first glance at the programme it seemed this spoof thriller would be male-dominated with its hero, villains & henchmen, cops & bellhops, but in the event although Jonathan Watton is an endearing as well as suave lead, it's Olivia Fines who totally steals the show ~ though no spoilers about her role in case there's anyone else out there like me who've never seen the Hitchcock film.
Overall credit must go to director Simon Phillips who with lighting designer Nick Shlepper also designed the set, and to Esther Marie Hayes for costumes to enhance the cartoon-style story-telling. And whether you've seen the movie fifty times or too young to have heard of it, I can't imagine you won't love this fast-moving tongue-in-cheek show: definitely recommended. Images Nobby Clark.

Back in time & place to Frome last week, and after the visceral drama of Black Swan Arts' previous exhibition In the Absence of Truth, the new show SKETCH is quite a contrast: one hundred sketchbooks sit primly on shelves around the room, requiring the donning of white gloves to reveal their pages. At the Words at the Black Swan workshop on Monday they remained inscrutable to me but others in the group had more success, and our skilful leader Louise Green introduced us to the concept of 'specula' poems, the second verse reiterating the first in reverse lines.

Live music corner: Roots Session at the Grain bar this week featured Julian Dawson with excellent support from Francis Hayden who runs the Nunney Acoustic Cafe and is also a fine singer-songwriter.
Friday was an extraordinarily good evening for music even by Frome standards, with the brilliant Pete Gage Band at Sam's Kitchen and Loudon Wainwright at nearby Cheese & Grain, making it possible to enjoy a good hour of Pete before scampering down to appreciate folk giant Loudon III, joined onstage by Chaim Tannenbaum and David Mansfield. Much of the set comprised what I'd call 'male crone' lyrics: ‘We have a lot of songs about death and decay in our set, because we know our demographic’ Loudon explained, plausibly. He didn't play my personal favourites (Can't fail me now and Daughter) but he did play The Swimming Song, voted one of the 'Best Summer Songs of All Time' by Rolling Stone.

My next post will be from Skyros, where Achilles played as a child and Rupert Brooke is buried, where the islanders built their chora up the side of the biggest rock on the coast to trick the pirates (and rob them too, copying the patterns of weaving and carving and engraving from these re-stolen hoards to create a rich local culture) and where in the 1970s an idealist couple had the dream notion of a centre for creative retreats that could translate into real life...
Skyros Holistic Holidays was born, and I'm delighted that once again I'll be working with writers at their centre each morning, walking to the beach in afternoons, watching the purple glow on the rocks in the evening, and maybe at least once seeing the sun rise over the Aegean from Brooke Square...