February's 18° days may be rightly disturbing, but the week's sunshine worked well for Tobacco Factory's new Shakespearean offering of A Midsummer Night's Dream. I can be a tad purist about Shakespeare - in my view his timeless themes rarely need tweaks to bring them on trend - so it was a delight to find that this updated-version is superb: nine excellent actors and innovative direction ensured that the comedy is laugh-out-loud funny, plots are clear, and energy high throughout. The tripled-up roles of the cast work brilliantly, with special praise to the men: Joseph Tweedale whose gay Helen/us was not only plausible but seemed almost essential, Dan Wheeler whose Flute totally & hysterically stole the final scene, and Danann McAleer, brutal as a fairy and charmingly ineffective as an Am.Dram co-ordinator - all memorable roles. Heather Williams’ Bottom will stay with me for some time too…
I did have some reservations: costumes were not 100% successful, and nor were the fly-tip props, the fairies looked and sounded more like a tribe of crusties, and the start-&-finish ‘twist’ didn't do it for me - but the same-sex love affairs worked well and the Pyramus and Thisbe cameo was a real highlight. At a deeper level, director Mike Tweddle credibly found connections with our 'harsh and problematic' possible future: 'Sadly, in 2019 it's all too easy to see how our politically fragile society could lose its hard-won social values.' Highly recommended, on till 6 April. Images: Mark Dawson.
Chicago, based loosely on life in that city during the 1920s, era of jazz, 'celebrity criminals' and lawyers who lucratively defended them, proved a splendid choice for a 'High School Edition' from Frome College students. Directed by Claudia Pepler, on a superb art deco set designed and built by Mike Witt, with on-stage orchestra, razzle-dazzle costumes, this outstandingly talented team of youngsters danced and sang their way brilliantly to the happy ending - for the starlet murderers anyway. Megan Wright and Cordelia Tarbrooke were stunning in these roles (Images: Mike Witt top, Chris Bailey cast shot),
with Barney Nuttall great as hurt husband (front end L) and Solo Candy (front end R) unforgettable as Billy Flynn, the media-manipulating lawyer. Frome College productions regularly reach a standard that makes it unsurprising that so many participants go on to train for the professional stage - or that the dedicated team of adult supporters regularly win awards in this field. This is another memorable one.Meanwhile, Frome was preparing to transform itself into a magical promenade theatre show for the entire weekend, as Window Wanderland decorated the town's streets with 189 (I counted the list on the back of the map!) houses created fantasy lands and fairytales on their windows.
Most used coloured tissue and silhouette cut-outs, some were simple and some were impressively complex, and the total effect was fabulous. Schools and shops and businesses joined in too, and the most elaborate creations- like the projected works of Singers Foundry -had clusters of admirers around them, with passing groups offering further recommendations, in this extraordinary night gallery. This one is not the most sophisticated or artistic, but for me it sums up the spirit of the project, and our town too.
Another good week for live music as well, with an excellent Roots Session at the Grain Bar - honey-voiced Steve Loudon supporting The Spoonful, Cream-themed blues trio with an esoteric range of stringed instruments, good material, and great voices.
Friday was a big night at the Cornerhouse: Martin Earley celebrated his 8th 'birthday' as landlord there with a session from The Critters, the 8-strong rock-&-reggae band that Carling would probably claim to have made 'if we made bands'... Nicki Mascall led this high-energy outfit through a medley of favourites from Moondance to Stir It Up, and the entire bar instantly became a mosh-pit of dancers. An unforgettable event, huge credit to all the band.
No Independent Market report this month, as the planned March restart was kicked off the schedule by storm Freya - but with great resourcefulness, the busking stage removed itself to 23 Bath Street where the Back Wood Redeemers gave a great show to families, friends, and surprised regulars.
And if that wasn't enough music for three days, Jazz Jam returned to the Cornerhouse for a lively session - with superb singing - hosted by Simon Sax -sadly the dim red lighting made this impossible to record without a night-vision camera, but you've probably got enough pictures bragging about Frome for one week anyway. Let's end with a look ahead to spring.... crocuses along the river path, planted by the young rangers from Critchill School. Thanks, kids!
