Nearly a week ago since I watched San Francisco receding into blue distance: touchdown in Frome has been hectic but pleasant, beginning with a meeting of Frome Scriptwriters whose latest scripts will be performed next month at the Cornerhouse. When She Imagines is a trio of monologues, directed by Nevertheless producer Rosie Finnegan, which was commissioned as 'fringe' to the Imagine events at Rook Lane. Are Frome Scriptwriters resting cosily on their laurels? No of course not: they're already deep into the next project, Tales of the Tunnels, for Frome Festival.
Apropos things dramatic, here seems a good place for the link to my newly launched theatre blog: for some reason that now eludes me, I thought a good title would be Apart from that, Mrs Lincoln...
And while I'm at the self-promotion, Frozen Summer is now out on Kindle ~ it costs a quid, but think of the postage saved! And the trees... I've been recommending this free-to-use form of self-publishing for ages so it seemed only reasonable to try it. Provided you have a correctly edited Word file (no page breaks except for essential separation like new chapters and acknowledgements etc) publication takes literally only a few minutes ~ I did it in the departure lounge at San Francisco. I know some writers fear the stigma of 'Vanity Publishing' but self-publishing these days is not only respectable, it's a valuable contribution to diversity. 'We are the Farmers' Markets in a supermarket world' I like to say, with suitable fervour, and there's now even a major award solely for 'indie' writers, as non-commercially published authors are now termed. The Guardian Books Blog quotes wonderful Kate Tempest as good practice: she self-published her first collection and subsequently hit the headlines by winning the Ted Hughes Award for her poem-play Brand New Ancients. Kate is interviewed in ideas tap, and her philosophy is one I completely relate to: If I felt something, I’d write it down. I never knew what it was for but actually all that writing has enabled to me know my palate and my writing style. If you’re a writer, then write constantly. Not for anybody to judge it but so you’re more comfortable at the page than away from it.
On Wednesday Writing Events Bath organised A Gathering Of Writers talking about their work in support of Dorothy House, a cause as popular as the six authors contributing so the BRLSI was crammed. Debby Holt, Lindsay Hawdon, Andrew Miller, Lesley Pearse, Nathan Filer and Tania Hershman proved a very successful medley of different voices, each with an interesting take on their personal craft, and all picking fascinating extracts to share. I liked especially Debby's view that 'writing is a way of making sense of our lives', and Nathan's reading from his debut novel. I've been a fan of Nathan for nearly a decade, since he came to Frome to contribute to Urban Scrawl ~ a night of performance poetry I organised as the climax of my year as Writer in Residence at the Merlin Theatre ~ and it's no surprise that now he's turned his writing hand to prose there was an 11-way auction battle for The Shock of the Fall. HarperCollins won. It's out in hard-back - but you can get it on Kindle at half the price...
Apropos things dramatic, here seems a good place for the link to my newly launched theatre blog: for some reason that now eludes me, I thought a good title would be Apart from that, Mrs Lincoln...
And while I'm at the self-promotion, Frozen Summer is now out on Kindle ~ it costs a quid, but think of the postage saved! And the trees... I've been recommending this free-to-use form of self-publishing for ages so it seemed only reasonable to try it. Provided you have a correctly edited Word file (no page breaks except for essential separation like new chapters and acknowledgements etc) publication takes literally only a few minutes ~ I did it in the departure lounge at San Francisco. I know some writers fear the stigma of 'Vanity Publishing' but self-publishing these days is not only respectable, it's a valuable contribution to diversity. 'We are the Farmers' Markets in a supermarket world' I like to say, with suitable fervour, and there's now even a major award solely for 'indie' writers, as non-commercially published authors are now termed. The Guardian Books Blog quotes wonderful Kate Tempest as good practice: she self-published her first collection and subsequently hit the headlines by winning the Ted Hughes Award for her poem-play Brand New Ancients. Kate is interviewed in ideas tap, and her philosophy is one I completely relate to: If I felt something, I’d write it down. I never knew what it was for but actually all that writing has enabled to me know my palate and my writing style. If you’re a writer, then write constantly. Not for anybody to judge it but so you’re more comfortable at the page than away from it.
On Wednesday Writing Events Bath organised A Gathering Of Writers talking about their work in support of Dorothy House, a cause as popular as the six authors contributing so the BRLSI was crammed. Debby Holt, Lindsay Hawdon, Andrew Miller, Lesley Pearse, Nathan Filer and Tania Hershman proved a very successful medley of different voices, each with an interesting take on their personal craft, and all picking fascinating extracts to share. I liked especially Debby's view that 'writing is a way of making sense of our lives', and Nathan's reading from his debut novel. I've been a fan of Nathan for nearly a decade, since he came to Frome to contribute to Urban Scrawl ~ a night of performance poetry I organised as the climax of my year as Writer in Residence at the Merlin Theatre ~ and it's no surprise that now he's turned his writing hand to prose there was an 11-way auction battle for The Shock of the Fall. HarperCollins won. It's out in hard-back - but you can get it on Kindle at half the price...
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