Showing posts with label The man who didn't go to Newcastle. Show all posts
Showing posts with label The man who didn't go to Newcastle. Show all posts

Friday, June 12, 2015

Siblings, stories, and other stuff

A bit of a medley this week. First off, a trip to Wells with Alison Clink to talk about her memoir The Man Who Didn't Go To Newcastle which was discussed on Clare Balding's show on Radio 2 for the start of National Carers' Week. A warm review commented on the insights into an extraordinary situation and Clare applauded the "humour as well as  humanity"~ essential in my view for any difficult writing.

Another sibling story - and other Clare: Clare Reddaway who runs A Word In Your Ear, a lively bi-monthly event in Bath where actors present the best of submitted short stories, has branched out into recordings. I've been lucky enough to be picked for the live performance a couple of times & am delighted my caustic tale Sisterly Love was selected for this new venture. Beautifully read - thanks Caroline Garland. Another Frome writer & blogger is featured too, with a flash and a mystery from Sally Gander. Do check us out - and if you're a writer, consider submitting to monthly performances. There's a different theme each time.

Still for writers: The Royal Literary Fund has set up a writing project in Bristol with, as well as more specific support, a series of talks at the Watershed. Monday's event featured writing for stage and radio, with an excellent contribution from Tina Pepler which was both inspirational and full of practical tips.  Refreshingly modest as well as helpful, Tina didn't even mention her award for radio drama and extensive script writing for films and television where her credits include Downton Abbey.   Thanks Trevor Day for the heads-up, and the lift.

Another great Roots Session at the Grain Bar: international performer Mara Simpson ("soulful, sincere, warm, rich and intimate" ) supported by a local favourite. To quote the organisers,"Mara has been captivating audiences around the world with a set which is eclectic as her background. PLUS the chocolate vocals and golden larynx of soulboy, Steve Loudoun...Gee Baby ain't we good to you" Couldn't put it better.

The Silk Mill, showing again what a great venue it is for paintings, hosted a fantastic exhibition of vibrantly coloured paintings by David Moss. A real party atmosphere at the preview on Friday, but even without the bubbly this is a show not to be missed: on till June 20th.



Next posting will be from Spain. I'm going back to lovely Cortijo Romero for a week ~ I'd intended to take a break from foreign courses this year, but am stepping in to cover a writing course as the leader had to pull out. I'll miss two exciting productions,  a solstice party, and Frome in all its mid-June glory, but this beautiful retreat is always a place of healing, creativity, warmth & joy.
Humour and humanity, in fact.






Monday, May 18, 2015

The past is another country, but trespassers are welcome


Growing up in the 1960s on the edge of Brixton the notion of segregation completely passed me by, though over in America the Governor of Alabama was calling for continuation forever, Kennedy appealing for an end, and Florida was rioting.  Meanwhile in Baltimore, according to the 1988 musical rom-com Hairspray, a plump teenager named Tracy was doing her bit for racial harmony by bringing 'negro' dancing to a popular TV show. Reflecting era aspirations I do vividly remember, wannabe-worldsaver Tracy longs to escape post-1950s humdrum by rebelling at school and losing herself in yoof-empowering music. I had only Radio Luxembourg on a tranny to transport me, Tracy has 'The Corny Collins Show' on local network TV, and Corny needs a new dancer...  Can Tracy overcome puppy-fat and the producer's prejudice to bring everyone together for a grand finale? It takes a lot of angst and ensemble singing, but of course she can! The Broadway version of Hairspray won 8 Tony Awards, and the 2007 film remake was listed as one of 500 greatest movies of all time, and Frome Musical Theatre has been showing why.
An immense cast of incredibly talented singers were brilliantly choreographed & directed by Vicki Klein to bring out the comedy as well as the moves in this warm-hearted fairy tale ~ I especially loved the duet as Tracy's Dad (Norm Langley) reassures his weight-worrying wife (Jon O'Loughlin) 'You're timeless to me.'  A thoroughly feel-good show deservedly a sell-out ~ I'm glad I saw audience comments on facebook in time to catch a returned ticket on the final night. Now I'm looking forward to their Peter Pan in August.

In slightly tenuous connection via the 1960s, Alison Clink was at Frome Library this afternoon for another Q&A with me about her book The Man Who Didn't Go To Newcastle. The primary focus is the story of her brother's death in 2008 but some of the early sections of this moving memoir recall their shared childhood in South London. With several writers among the audience there was particular interest in how to retrieve distant memories that can seem lost in the past. "The more you go there, the more things come back to you," is Alison's experience and her advice.  And does writing heal?  "Yes - and no. But yes, it can."