Showing posts with label Jamie R Hawkins. Show all posts
Showing posts with label Jamie R Hawkins. Show all posts

Monday, August 26, 2019

A dab of history & lashings of Bank Holiday sunshine

First to Bristol, where South-West based physical theatre company Le Navet Bete has unleashed their current touring show The Three Musketeers in Bristol Old Vic, recreating rollicking tales of 17th Century intrigue in a re-envisaging of the daring deeds of Athos, Porthos, and Aramis - and of course d'Artagnan - with a cast of royalty, whores, conspirators, spies, monarchs, as well as the evil Cardinal Richelieu... it's all loosely grounded in Alexandre Dumas' fictional historical tales but with firmer affiliation to physical theatre capers and Young Ones style comedy.
Some of the best bits are sheer pantomime - as when action moves to England with a duck-shooting scene on the estate of the Duke of Buckingham, and the audience becomes energetically involved in providing a torrent of mortally wounded ducks... Programme notes don't differentiate between performers - Dan Bianchi, Nick Bunt, Al Dunn, and Matt Freeman - but the script is credited to director John Nicholson, and the actors too, so this truly is a team effort. The set was designed by Ti Green and is complex enough for high-energy antics though unfortunately with a focus on extreme right of the stage which means if you're seated in the Dress Circle 'on the site of the original 1766 Row box' you miss any glimpse some of the crucial scenes.  Still, only 15 quid for over two hours of absurd comedy, and touring till October, so worth catching if you can.

Back in Frome, as usual there's been much live music. Tuesday saw the inaugural meeting of a new Open Mic event at the Three Swans, a great sing-along event where Paul Kirtley & I did our occasional double-act comprising my satiric protest-poem Bungee Jumping Crumblies and his song in response, and several new voices joined Paul for this now-monthly venture. Thanks Steve for the pic.

An excellent Roots session on Wednesday featured Phil Cooper with his Slight Band, supported by Jamie H Hawkins, who joined Phil on stage for a couple of numbers, too.
Both these singer-songwriters write their own material: Jamie's song Walking Into Doors is an especially poignant and powerful example of his skill. Phil's performance is alsways gripping, and he has a great knack of getting the audience to sing-along - and even rattle-a-shaky-egg-along. The track Only a Song from Phil's CD Thoughts and Observations gives a good idea of his range and intimate personal style.

Pete Gage at the Cornerhouse on Friday launched a scorching hot Bank Holiday weekend in style with his legendary blues-rock band, and Paul Kirtley's Bones gang were back with their charity buckets on Monday with a new host: The Mill at Rode, an idyllic venue for a sunny afternoon, with an excellent barbecue too.  Paul's closing song, the Woodstock classic, summed up the mood of the whole event: We are stardust, we are golden, we are billion year old carbon, and we got to get ourselves back to the garden...
In fact everyone had such a good time that landlord John asked the band - and the barbecue - to do it all again on Bank Holiday Monday, so if you're reading this on posting date you can get along to the Rode and re-live the dream yourself.  And if not, have a great week anyway: simple pleasures are essential in troubled times. 

Wednesday, April 03, 2019

Art, books, & music (with a sea breeze ending)

Writers in this area will know that Frome's very active writers' collective has its own book brand for indie authors: Silver Crow supports publication-ready works in every genre, from children's to murder-mystery,  poetry to memoir, and with ten titles now the time seemed right to stage a celebration. FWC& in fact did this literally, at the Merlin Theatre, with a fascinating  evening of readings by the authors, ably introduced by writer and public speaker Joffre White.
Here's Ed Green, reading from 'It Leaves Me The Same', his moving account of the life and letters of his great-uncle, called from the family farm to die in the Somme.

Music now, and a great Roots session at the Grain Bar on Wednesday with an exceptionally talented double bill of musician/song-writers. 'The Billy Shinbone Show' brought us 'deviant skiffle manglings & disco-punk-rock-blues of Somerset multi-instrumentalist' - and Billy's support act was also brilliant, as Jamie R Hawkins shared original songs with Phil Cooper on Cahon.

'The Young Open' at Black Swan Arts is always one of the most vibrant exhibition of the year, and last weekend saw the opening of this collection, chosen by the committee and offering prizes in three categories: 8-11, 12-15, and 16-19. Nearly three hundred youngsters entered, with 409 art works submitted from which 166 will be on display int he galleries until the end of April.There's great energy in this diverse collection, though the curating makes some difficult to view fully - a disappointing number of glass-covered images are opposite windows and so suffer from reflections.
But it's well worth a look - and do add your favourite to the Peoples' Choice too. Here's the moody portrait of 'Orla' by Astrid Rogers which was the 12-15 winner. Appreciation to all the young people who entered, congratulations to the lucky 13 given the 'winners' and 'commended' tags, and thanks to the sponsors Ellenbray, Studio Prints, Postscript, Inspired, and Frome Community Lottery. Words at the Black Swan met on Monday to create poetic responses to imagery that especially intrigued them: I found Is That It? by Poppy Thomas interestingly provocative.

There was a music over the weekend too, with a busking day on Saturday throughout the town, and the usual weekend events but your correspondent defaulted here by swapping Frome for a family rendezvous on the coast.  Consider the evidence below, as I rest my case: