Showing posts with label Christopher Bucklow. Show all posts
Showing posts with label Christopher Bucklow. Show all posts

Friday, October 20, 2017

Ghosts in art and history

Southampton is the port from which the Titanic sailed, has a Premier League football team (currently interested in Barcelona striker Paco Alcácer) (thanks Google), and a great little art gallery which is featuring a major retrospective of the work of Christopher Bucklow. As Chris lives in Frome, and I was fascinated by his amazing paintings exhibited in the Black Swan in 2013, a trip to the City Art Gallery was definitely called for. Here, in several galleries, there's early work reflecting a passion for Sisley's landscapes, later work exploring 'Guests' ~ ghostly figures arriving unexpectedly and mysteriously, and some of the series that had fascinated me when I first saw it in Frome: Mandy Rice-Davis struggling with the art critic Clement Greenberg, who here is 'trying to keep Mandy down as a 2-D ghost, while also preventing her from cutting, Suffragette-like, the vital fourth slit in the Kenneth Noland Chevron painting...' The gallery is fronted by a fountain & beside a line of horse-chestnut trees but as 3pm was museum closing time and there didn't seem much else in this part of the city, we adjourned to The Titanic to talk about ghosts with the landlord... until he rather strangely disappeared...

Frome in Palestine is the title and theme of an impressive exhibition at Silk Mill gallery, where thirty-six boards filled with photographs and media cuttings tell the tale of our town's contribution to Britain's involvement in this troubled land. There are also tables of books and images, options of films and food, and a programme of talks and entertainment, all creating a rich though serious environment for this extended study. Frome Friends of Palestine is marking their tenth anniversary with this historical presentation of British involvement in the region, summed up by the excellent introduction in their guide booklet: A hundred years ago this autumn General Allenby marched into Jerusalem. To some it was the culmination of a dream, but Britain's 30 year rule of Palestine rapidly became a nightmare. This carefully researched study of a difficult but crucially important subject is on till the end of the month and deserves at least one visit ~ more if you can, as there's much to absorb.  Banksy said it's the role of art to disturb the comfortable and comfort the disturbed': this, one might think, should also integral to any religion. The history of the 'Holy Land' shows a different perspective and this is not, as the booklet warns, an easy exhibition.

A brief blog  this week, as I'm off now to the Alpujarras to go walking in the foothills for a week with Bootlace Walking Holidays. We'll be based in Cortijo Romero, a lovely venue I know well from years of fond memories with writing groups. I'll end with a view that trails happy ghosts... poets and fiction-writers, memoirists and bloggers, all of us enjoying these abundantly-blossomed gardens with their fabulous views of the the mountains beyond... wow, I can almost hear the laughter over that sparking azure pool, and the bell ringing for supper-time... though actually it's the long days of walking I'm going for. Obviously!


Thursday, March 28, 2013

Eighteen is a magic number associated with both conflict and stories in Hinduism, so perhaps there's extra significance for The Three Snake Leaves now it has been performed by the same trio of storytellers for eighteen years. There was certainly something magical about driving into the snow-bleached Welsh mountains for these 'fairytales grownups from the Grimm forest' performed by Hugh Lupton, Sally Pomme Clayton and Ben Haggarty, supported by two musicians and a score of instruments ranging from a water-warbler bird whistle to a four-tiered rack of bells. The tales are all fantastical, word-pictures swirling like dark robes glinting with gold, but lies like beauty are only skin deep and when every twisted thread is finally woven into place the message is redemptive.
This was the piece, I learned from my story-teller friend Lisa, which reintroduced the classic oral tradition into performance: as Hugh told us at the start, behind every story-teller are the shadows of those who through the ages told these stories before.  I can't find an image that evokes in any way this extraordinarily powerful presentation so here's a picture of Abergavenny, where we were transported deep into the extraordinary and often painful psyche of humanity in the Borough Theatre while the world outside froze.


Frome Library, which has been closed for a month, reopened on Wednesday with cakes and a speech explaining that Frome has now been Are-eff-eye-deed, which meant very little to those of us unfamiliar with Radio-Frequency Identification use of electro-magnetic fields to transfer data for the purpose of automatically tracking tags attached to objects.  (thanks, Wiki.) After some strummed Wordsworth and an excellent taster workshop on Writing for Wellbeing led by David Goldstein, it all began to feel more like the Frome Library we know and love, despite the reader-focussed kiosks in the entry which have replaced the book-borrowing-focussed desk.


Is every art work an expression of its artist? How do characters arrive on canvas, or in scripts? Christopher Bucklow was talking about his Talking about Painting exhibition with Steve Hennessy at Black Swan Arts  on Wednesday. Chris wanted to explore the similarities in their creative process, as painter and playwright, and reflect on a shared perceptions of their characters as part self & part myth. 'Part of creating anything is to make ourselves well,' as Steve succinctly said.  Dreams and metaphors are 'part of the cats-cradle' too, and Chris's idea of art as belonging to 'the theatre beyond the paintings'. Fascinating stuff ~ though not for the audience member who used the Q&A to opine "It's a flat surface, get used to it." Brecht might have agreed.

Frome Scriptwriters have been working on monologues for actress Becky Baxter to perform at The Cornerhouse as a fringe event for Celebrating the Imagination, and the chosen scripts were announced at our meeting this week. Becky, who picked the pieces she felt had most theatrical scope for her,  was wowed by the writing standard of our fledgling group and we were wowed by her brilliant read-through, so after an exciting evening we're all looking forward to When She Imagines... on May 16th. By which time ~ we hope ~ Frome Festival brochure will be on the streets, crammed with amazing and quirky events. Nevertheless Pub Theatre has award-winning contemporary drama with What's the Time Mr Wolf?, there's no less than THREE unmissable poetry nights, there's a book quiz, workshops, talks from publishers & meetings with agents, in fact everything's unmissable so clear July 5th-14th for one of the top 5 small festivals in one of the top 10 small towns!


Sunday, March 24, 2013

Talking About Painting by Christopher Bucklow is the current exhibition at Black Swan Arts, and at Friday’s opening Chris was talking about painting and dreaming and psychoanalysis, and confirming my suspicion that theatre at its best is about creative interaction and doesn’t necessarily need a script. “The unconscious is a hidden language ~ a whole universe of things we don’t have access to," Chris says,  "I paint a room and I wait for the characters to appear. It’s like a séance."  Consistent characters in the dream-dramas of his paintings are Clement Greenberg and Mandy Rice-Davis, metaphors for the struggle within the artist's psyche:Clement an art critic who "wanted a painting to be itself, not a 'window into the world'," and Mandy the call-girl who, when the Foreign Secretary denied sleeping with her, challenged the entire establishment edifice by her calm response Well he would say that, wouldn’t he.  “She opened the skin that was closed," says Chris, "That’s the dialogue in the pictures – between the open and the closed. I didn’t set out to use these characters, I discovered them.. It’s day dreaming.  I dip in, then I sit back and think about what I’ve done. That's the pattern.” Sounds just like writing a script...

Back within the cave of these huge canvases on Sunday,  Kim's cake replaced the wine as Words at the Black Swan writing group met for our second session, this time with poet Rose Flint, who skilfully steered us away from fore-knowledge into a personal place of 'receiving' the paintings, as "both the physicality of the art and the image within the art are ways we view the world." With the challenge to 'write about the canvas that appeals or repulses you most', here's Mandy Mourning: 
Sliding through time
piece by shining piece 
shattered, 
folded like a deckchair,
your lives hanging by a thread,
How can you crawl away in those shoes?
Who will paint your struggle now 
that bloodied stump is floored?


Box of Tricks is touring Wordplay: six new short plays inspired by “Division” with a a subtext suggestion NW/SW divide may be involved, especially as this is a collaboration between Octagon Theatre Bolton and Exeter’s Bike Shed Theatre. Connections with the theme seemed somewhat tenuous but that didn’t matter at all in a production which included some very strong writing brought to life by four absolutely cracking actors: Rachel Austin, David Judge, Helen Carter and Matthew Ganley. Best of the writers were Bea Roberts and Ella Greenhill, whose sibling drama was sensitively poised emotionally and extremely moving, and Luke Barnes’ Goldilocks spoof despite not really going anywhere did make me giggle. A good piece to end an event that deserved a bigger audience.
 My account of the Cosmic Walk Annabelle & I went on last year is in the spring issue of Green Spirit ~ thanks Ian Mowll for digging it out from these postings virtually verbatim, apart from the jaunty conclusion of Monty Python's Galaxy Song: Let's hope that there's intelligent life in Outer Space, 'cos there's bugger-all here on earth.
And finally... this week's headline in the doughty Somerset Standard brags that Frome ‘according to a national newspaper’ is Sixth coolest place to live in UK. I couldn't find confirmation online but here's Sam & Paula’s party before serious dancing began... hotting up & cooling down.