Monday was Daffodil Day at Mells, when the village population swells by approximately 1000% as surrounding lanes become mile-long gridlocks and a mini-Glastonbury springs up. Frome is only an hour's walk away through Vallis woods beside the river path which is thick with snowdrops & scented with garlic, and I joined the pilgrims braving icy temperatures, rewarded by Frome Street Bandits in the Music Tent and Bugs in the Nunney-Acoustic-on-Tour.
Sometimes it's great to see a show without a reviewing remit, and as Michael Frayn's Noises Off has arrived at Theatre Royal Bath after a 'triumphant' West End run, there's no need for me to add my two-penn'orth as southwest columnist for Plays International. So I went along for the promise of hysterical uncontrollable laughter and because I've been a fan of big-name-draw Neil Pearson since Drop the Dead Donkey days. Farce at its best isn't far from satire and the first act brilliantly parodies theatre company back-stage traumas, but after the interval characterisation ebbs and action becomes increasingly manic and less funny. But it's a brilliant production, a clever set and great acting so if your aunty loves farce, take her along.
And finally...it's National Poetry Writing Month, Carrie Etter tells me, so I've recklessly committed to a poem a day throughout April. Some will probably be haiku ~ here's today's, entitled Interflora window:
glitter-sprayed bunnies
profer eggs with toothy grins
Christ must be risen.
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