 In 1928 Ruth Snyder was executed in New York for the murder of her wealthy husband.  Journalist Sophie Treadwell followed the trial & wrote a play based on the case. Machinal was on stage within a year and still has impact today as a feminist statement.  Helen, intelligently interpreted by Polly Barsby as naïve and mentally frail, is caught relentlessly in a loveless machine, unable to relate to her mother, husband, or even daughter. Her emotional dysfunction is triggered by - and powerfully expresses - the materialistic society and social expectations  that combine to entrap her.  Mechanist patterns are vividly created in both soundtrack and visuals, with a series of memorably brilliant Hopper-inspired tableaux at the speakeasy bar where Helen meets Dirk and her first taste of freedom.  Director Sue Wilson wanted to show the skills of the graduating students from Old Vic Theatre School- 'not  just actors but designers too ' and this provocative play showcased an impressively talented ensemble.  I can't find any images from the show so here's a Hopper which evokes something of the sense of loneliness & oppression created by the set, lighting, and tonal range - oppressive monochrome, with seductive slashes of scarlet and elusive glimpses of purple night air. Credit to all the cast too, especially Piers Wehner as Helen's lover and John McGrellis as her victim husband.
In 1928 Ruth Snyder was executed in New York for the murder of her wealthy husband.  Journalist Sophie Treadwell followed the trial & wrote a play based on the case. Machinal was on stage within a year and still has impact today as a feminist statement.  Helen, intelligently interpreted by Polly Barsby as naïve and mentally frail, is caught relentlessly in a loveless machine, unable to relate to her mother, husband, or even daughter. Her emotional dysfunction is triggered by - and powerfully expresses - the materialistic society and social expectations  that combine to entrap her.  Mechanist patterns are vividly created in both soundtrack and visuals, with a series of memorably brilliant Hopper-inspired tableaux at the speakeasy bar where Helen meets Dirk and her first taste of freedom.  Director Sue Wilson wanted to show the skills of the graduating students from Old Vic Theatre School- 'not  just actors but designers too ' and this provocative play showcased an impressively talented ensemble.  I can't find any images from the show so here's a Hopper which evokes something of the sense of loneliness & oppression created by the set, lighting, and tonal range - oppressive monochrome, with seductive slashes of scarlet and elusive glimpses of purple night air. Credit to all the cast too, especially Piers Wehner as Helen's lover and John McGrellis as her victim husband.So, be thrifty, dress warm, and bring an umbrella if it looks like rain. Who ever said Arts Funding pays people to sit around devising patronising twaddle?
 
 
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