"The first thing you must do as a writer is read" is Sarah Duncan's top tip at the inaugural meeting of Writing Events Bath in New Oriel Hall in Larkhill last Sunday.

Bristol's Mayfest has been bursting out all over, giving the new(ish)ly reopened Old Vic a great showcase for its makeover face of accessibility and vibrant modern writing, like Kellerman, a touring production from Imitating the Dog. All drama is a journey; this one is five journeys in different time spheres, two of them in a mental institution. It boasts - appropriate use of verb here - "a magnificent two-storey set which incorporates a revolving stage, flying harnesses, moving masks and stunning back and front projections". It was all, as claimed, extraordinary and exciting, but what I enjoyed most was the dark conundrum-laden script.
'Where does it all go, everything that’s ever happened to us?’
‘We’re left with what we remember.’
But Harry remembers pasts he never inhabited, and people he never knew. "Perverse, erotic, poetic and grotesque, Kellerman is a meditation on desire, loss and the structures that bind us to the lives we believe to be real."
Finally - a couple of plugs: May madness at the Poetry Cafe TONIGHT - the posters have become collector's items, thankyou Suzy! - and Luke Wright is at the Merlin on Friday with his new show A POET'S WORK IS NEVER DONE... rarely begun, in my case. "Gifted social observer and wordsmith" Luke is sandwiching Frome into his national tour betwixt York and Maidenhead, which gives some idea of the truth of the title. If you missed Luke's on C4's "Seven Ages of Love", here's a bite of the real thing...
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